Tag Archives: open world games

What’s New — April 2017

Well, March turned out to be a pretty amazing month for me, and now I’m hoping April will top it. =)

YjgxZjk5MDcxMCMvMU5aSXU4Z2lxdzJWRjVReHdmLVBPYlZzVE1NPS8xOTEweDEwMDAvc21hcnQvaHR0cHM6Ly9zMy5hbWF6b25hd3MuY29tL3BvbGljeW1pYy1pbWFnZXMvd2p1a3hycGJtd3JocGMyaWtpeHA2a2dkN2o3dWdmMG52cWVoanZ2Y2Last month I played Horizon Zero Dawn. It was easily one of the best video games I’ve ever played. The story, the lead character Aloy, the graphics, the scenery, the structure to the open-world questing… everything was near perfect. I’ll post something about it soon, because I’d like to discuss how it approaches an open world format and compare it to other open-world games like The Witcher 3, Dragon Age: Inquisition, and Skyrim.

Aside from that, I started re-reading one of my favorite books ever, the science fiction classic Dune by Frank Herbert. I’m actually listening to the audiobook on my commute, downloaded from Audible, so if anyone is interested in what it’s like to listen to I can review that aspect of it. You can read about my history with Dune here — it’s kind of the book that got me into sci-fi in the first place!

C7yMP1wVUAAZ6yqI also started playing Mass Effect: Andromeda last month, and I must say, it is so much better than I expected. While I tried to avoid reviews before starting, I was hearing a lot of complaints — not just about the facial animations (which honestly doesn’t phase me, that’s not why I play Mass Effect), but also about the writing not being great and the story not being very captivating. Fortunately, I disagree with those complaints. I am loving the game so far. I feel really connected to my Ryder, the protagonist of the game, because Andromeda features four tone options that really shape a unique personality for her. It’s much deeper than what I’ve seen in previous BioWare games.

Anyway, I’m sure I’ll review the game when I’m done with it. In the meantime, you can read my game diary as I play it here.

In other news, baseball season is back! I went to my first game (pre-season) a couple of days ago, and I can’t wait to start watching games again. If you’re into baseball, you can read this post I wrote about the baseball team roster I would create out of Mass Effect trilogy characters. I totally want to do that again for Andromeda now!

I’ve also been working on fitness goals a lot lately. Originally I was going to train for a 10K this month, but I decided to postpone running goals to focus more on strength training and flexibility. I took my first lyra class last week — it’s an aerial sport where you perform transitions and poses in a hoop suspended from the ceiling — and am so sore and bruised, I have some work to do to get in shape for it! I’m excited to start training more heavily as I continue to take beginner’s classes.

As for writing… I haven’t done anything all month. I want to change that in April. I have been thinking about my novel a lot lately, and I miss writing it. I think I just needed a breather to focus on other things (new job, fitness, and video games!) and gain a little perspective on my story. I feel I have that now, so it’s time to dive back in.

Dragon Age OriginsI also attended a Game of Thrones concert last week which was extremely fun. You can check out my mini-review here.

This month is also my birthday, and as always, I’ll be honoring my tradition of playing Dragon Age: Origins again. I hope to complete a playthrough this year, since I didn’t last year. I think I’ll go with a male character this time, which is something I just never do…

What are you guys up to this month? What games are you playing?

— Ashley

The Allure of Story-Based Side Quests

Lately I’ve been playing Deus Ex: Mankind Divided, and while I’m still in the early stages of the game, it’s already reminding me of another massive RPG: The Witcher 3: Wild Hunt. The reason for the comparison is the way these games handle questing in an open-world (or at least partially open-world) environment.

Continue reading The Allure of Story-Based Side Quests

Open World Comparison: “Dragon Age Inquisition” vs. “The Witcher 3: Wild Hunt”

Since finally finishing the main storyline in Dragon Age Inquisition this month, I’ve decided to compare it to another of the greatest video games in recent years, The Witcher 3: Wild Hunt, to see how each fares. I’ve enjoyed both games a lot, and they have tons in common. Both games are fantasy RPGs, the third in their series — and both try open world for the first time.

That last part is what I really want to discuss. The Witcher 3 goes full open world — you can travel everywhere without loading screens — while Dragon Age goes with a limited open world, where you select a spot on the map and then freely explore that large area.

What’s interesting to me is that these games, so similar in their approach, are very different in their execution. While The Witcher 3 really nails the open world experience, Dragon Age Inquisition’s attempt largely failed for me.

Continue reading Open World Comparison: “Dragon Age Inquisition” vs. “The Witcher 3: Wild Hunt”

How Much Freedom Should We Have in RPGs?

In role-playing video games — my favorite genre — having lots of freedom often means enjoying a more interesting, personal role-playing experience. Obviously, story and character development are important in RPGs, but freedom — or maybe something like customization, or more player control over in-game details — is what defines the RPG genre, in my opinion. Sometimes this freedom is the liberty to explore an open-world landscape in a massive game like Red Dead Redemption; other times, it’s more story-based, such as choosing whether Geralt will follow Vernon Roche or Iorveth in Witcher 2. But it’s gotten me thinking: how much independence do we need for an RPG to be a fun, authentic role-playing experience?

Creating Characters From Scratch?

I love RPGs that let me create a character from scratch, starting with her gender and appearance. It’s not that I mind playing a ready-made character most of the time, but being able to create a protagonist in my image (or some other, much more badass image in my head) helps me dive into the story through the playable character’s eyes.

Even minimal character customization can help players feel more attached to their avatars.
Even minimal character customization can help players feel more attached to their in-game personas.

Some people couldn’t care less about this. They want to jump straight into the action, not caring at all what their character looks like or even their gender. And I’ll admit that in games like Witcher 2, the playable character is so well-developed, I don’t mind walking in his shoes… but saying that I don’t care about customizing my character makes me feel like I don’t care about the role-playing experience. After all, aren’t RPGs very much about pretending to be someone else for awhile and truly caring who they are and what they do? Freedom to create my character helps me understand and care about her as I play the game.

That’s why in Witcher 2, I relish having the ability to change Geralt’s hairstyle and armor as the game progresses. Even the smallest act of customization can help me feel a sense of ownership over the character I’m controlling, and this goes to the heart of the role-playing genre. In other words, it’s much easier for me to role-play when I’m able to customize at least some small detail of my character to my liking — even the superficial things. And if I can create my Dovakhin from scratch in Skyrim — choosing to play a female Khajiit versus a male Redguard, or customizing the appearance of my Dark Elf right down to the color of her eyes and the amount of dirt on her skin — so much the better.

Skill Trees Define the Genre

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Skill trees (and loads of crazy loot) make Borderlands 2 an RPG rather than just a shooter.

At the very least, RPGs have skill trees. Many games that only have skill trees as their RPG element are classified as RPGs, even though they have very little character development (outside of combat techniques). As someone who is not particularly interested in FPS or TPS games, I do enjoy role-playing shooters like Mass Effect and Borderlands — the first having tons of character customization and growth, the second having just skill trees. But even leveling Zer0 in Borderlands 2 to give him stronger gunplay skills rather than melee attacks makes me feel more like I’m role-playing.

Of course, the freedom to make choices when you level your character is more than a fun role-playing feature: it’s often the difference between your character surviving the obstacles thrown at him or dying a gruesome death because you failed to customize him well. But then, strategy and utilizing combat skills could make a whole other discussion…

Story Progression

Witcher 2 lets you choose between two vastly different paths.
Witcher 2 lets you choose between two vastly different paths.

In Dragon Age: Origins and Mass Effect games, you’re able to choose the order in which you complete missions. In Witcher 2, you make a choice between two paths that take you to entirely different locations with separate quests. And in my opinion, these games are the best examples of RPGs that give you choices with consequences. In DA:O, you decide the fate of two species when you choose whether to help the victimized elves or the cursed werewolves who have been at odds — or, if you’re skilled in persuasion, you can even find a solution that puts an end to the conflict with minimal bloodshed. In Mass Effect 2, you can save the cure for the genophage — a biological weapon — or destroy it, with repercussions in ME3. And these are only two of the many decisions to be made in these RPGs.

The first time I played Dragon Age: Origins, I played as myself. I was nice. I was helpful. I tried to make everybody happy without stepping on too many toes. It might have been a tad boring, but that’s the beauty of role-playing games: you can choose to inject yourself into them if you want. When I got to Dragon Age 2, I played a sarcastic Hawke and an aggressive Hawke, both of whom were very different than I am… and I loved it. My canon Shepard in the Mass Effect series is also very different with her renegade personality, but when it came to the big decisions, I made her open-minded and careful to spare as many people and species as she could, without becoming illogical. This was my way of connecting to her, in spite of our differences.

Even games like Skyrim that have relatively poor-quality decisions — or choices that don’t have noticeable consequences — still give you some fun ways to customize your character’s journey. For instance, in Skyrim you can choose which factions to join, what houses to purchase, and which NPC to marry, assuming your Dovakhin is the marrying kind. All of this freedom adds to the immersion, which is vital when role-playing in video games.

Being able to shape characters’ personalities and make in-game decisions that affect the rest of the story make RPGs fascinating to play. They often give RPGs loads of replay value, too. Since I believe the best RPGs have lots of these story-based choices, more freedom in this respect is always a good thing, in my opinion.

Should All RPGs Be Open-World?

Nowhere is freedom more evident in video games than when playing an open-world game. Though I don’t jump at open-world games and often lose interest before I finish them, I can see the appeal of exploration. I definitely feel a sense of adventure when my character swims out of her Riften house to roam Skyrimand I also feel a strong sense of ownership over my character and in-game experiences when I’m able to personalize them through freedom of exploration.

Skyrim
Does Skyrim ever feel too vast?

One piece of news that caught my attention this month was a Game Informer interview with Bioware’s Aaryn Flynn, who named Skyrim as an influence on the upcoming game Dragon Age III: Inquisition. He even went so far as to basically say that open-world exploration should be a staple of the RPG genre. (You can read about the interview via Kotaku here.)

That scared me a little. I’m a big fan of Skyrim, but it’s easy for me to feel lost and disconnected when I play it. There’s a distinct lack of emphasis on story in many open-world games — and that’s why I adore games like Dragon Age: Origins that severely limit where you go and what you do, focusing on their riveting linear plots instead. Games with tight stories are the ones that keep me engaged, and being ushered along a linear path helps me feel the impact of those tales.

Reading a forum thread about an open-world Dragon Age from early this year — long before this DA3 news came out — one comment summed up the dilemma perfectly, in my opinion:

Many gamers play Bioware games for the characters and story. The two are not mutually exclusive, but the more open world a game gets the less important the story becomes… The appeal of Skyrim is the open world exploration. The story takes kind of a back seat to that aspect.

To take that further, a big problem with open-world games is the lack of meaningful consequences. My second time playing Skyrim, I made a conscious effort to complete quest lines swiftly, so that everything felt real. That meant that when my fellow Stormcloack soldiers were preparing to take Solitude just up the road, I joined them immediately for the battle, just as a soldier would have to in real life.

Of course, I didn’t have to do that, because Skyrim sort of lets you do whatever you want. I could have run around picking flowers for my alchemy experiments, traveled across the map to purchase a new house, or joined the College of Winterhold to fulfill my dream of becoming a mage… completely ignoring the Solitude battle, if I preferred. But if I had done that, when I finally wandered back to Solitude days or weeks later, the soldiers would have still been there, waiting for me to begin the battle. And that’s just not realistic. It would have totally ruined the role-playing experience for me… so in a way, open-world games that give you that much freedom actually take away from the realistic feeling of role-playing.

Tuchanka
Failing to act can have devastating consequences in the Mass Effect games.

On the other hand, I love that in Mass Effect 3, you can complete quests in pretty much any order you want… but leave some quests too long, and bad things may happen. You have freedom, but your choices still come with consequences. And though some people complained about a lack of exploration in the Mass Effect series, I thought the freedom to land on random planets in the first game offered just enough of an adventure — yet I didn’t miss that ability in the other games, as I was too engaged in the main story anyway.

Another open-world game that I love (and am currently playing to death over Christmas break) is Batman: Arkham City. It features a sprawling urban environment that you can explore at will, taking down random thugs on your way to your next mission or helping citizens who need Batman’s aid. Though there are loads of side quests to pursue, they never feel overwhelming. And instead of getting in the way of the main story, the freedom to explore the city adds to the realism of your role-playing experience. After all, Batman and company should be able to go wherever they want, and few things break the immersion more than running your character into an invisible wall just because the game doesn’t let you explore any farther.

This may be exactly what Bioware is going for. I hope it is. After all, Bioware’s Flynn said Skyrim wasn’t the only influence on the next Dragon Age. He also went back to early RPGs, such as Baldur’s Gate and Neverwinter Nights, when discussing the exploration aspect that should be bigger in the role-playing genre. Dragon Age may have kept players on a tight leash, but it sounds like Bioware wants to return to its roots and embrace exploration again. The question I have is just how massive the world is going to be, and whether that will become overwhelming or not.

In conclusion, I’m all for lots of freedom in RPGs… but never at the expense of a well-told story. When I’m given role-playing decisions in a game, I want to know that the choices I make will have realistic consequences as they move the story forward. And whenever possible, I want to be able to customize my characters so I feel a connection with them as I immerse myself in the role-playing experience.

— Ashley